失落的砲臺~華巴諾傳奇 The Lost Cannon - Legend of Wabano
系列/series：室內管樂團套譜/Concert Band Series
作曲/composer：下田和輝 Shimoda Kazuki
演奏級數/grade：3.5
出版公司/publisher：卡穠事業/Canon Art
商品編號/number：CC-0102
售價/price：3950樂團編制/instrumentation：
1 - Full Score
2 - Flute 1
2 - Flute 2
1 - Oboe (Optional)
1 - Bassoon (Optional)
1 - Eb Clarinet (Optional)
3 - Bb Clarinet 1
3 - Bb Clarinet 2
3 - Bb Clarinet 3
1 - Bb Bass Clarinet
2 - Eb Alto Saxophone 1
2 - Eb Alto Saxophone 2
2 - Bb Tenor Saxophone
1 - Eb Baritone Saxophone
2 - Bb Trumpet 1
2 - Bb Trumpet 2
2 - Bb Trumpet 3
2 - F Horn 1 & 2
2 - F Horn 3 & 4 (Optional)
2 - Trombone 1
2 - Trombone 2
2 - Trombone 3
3 - Euphonium (B.C.)
3 - Euphonium (T.C.)
3 - Tuba
1 - Double Bass
1 - Timpani
1 - Percussion 1 (Suspended Cymbal, Whip, Triangle, Bamboo Chimes)
1 - Percussion 2 (Rainstick, Crash Cymbals, Triangle, Anvil)
1 - Percussion 3 (4 Toms with sticks)
1 - Percussion 4 (Bass Drum)
1 - Percussion 5 (Wind Chimes, Tam-tam)
2 - Percussion 6 (Vibraphone, Chimes, Glockenspiel, Xylophone)樂曲解說/program note：
華巴諾砲臺，位於台灣花蓮縣卓溪鄉的深山之中，原為日本警察駐在所，監控鄰近之布農族部落群，目前僅存駐在所廢墟；華巴諾為布農語Vavanu（多蜜之地之意）之日語轉音，廢墟之中留存一門三吋速射砲，經學者調查，為俄羅斯帝國製造，歷經西伯利亞鐵路跨越俄羅斯，於日俄戰爭期間為日軍所俘虜納入編制，後移防至華巴諾駐在所，此後隨著時間推移凋零，遂埋沒於深山中的荒煙漫草之中。
樂曲始於布農族的飲酒歌動機之中，連續的八分音符伴奏將音樂氣氛引入佈滿雜草的山間，並奏出充滿哀愁性格的旋律，逐漸堆砌至壯烈瑰麗的開場，此時音樂急轉直下，時光倒流，進入如火車疾駛一般的進行曲段落。
進行曲的旋律動機使人聯想至俄羅斯著名歌謠「卡秋莎」，銅管突如其來的不和諧音程如火車氣笛般劃破了旋律的進行，小號出現的信號標誌著戰鬥的開始，進入一連串激烈而混亂的樂團音響，體現出大砲所經歷的跨文化衝突與超現實場景。
狂放的音樂收斂在如禱告一般的人聲之中，一段具有民族色彩的古調娓娓唱出，並由開頭的布農飲酒歌主題所承接，回到樂曲序奏的恢弘氣勢，音樂旋即中斷在充滿悼念的靜默之中，最後一次出現的飲酒歌主題，如山谷遠方傳來的歌聲般，迴盪在一片虛無寂寥的廢墟之中，以充滿惆悵且懸而未決的氣氛結束整首作品。
Wabano Cannon was originally a police post during Japanese colonial period. The cannon is still well preserved in the ruin. The cannon is made by Putilov Works during 1903, later deployed to the front of the Russo-Japanese War in 1905 and was captured by the Japanese then later shipped to Taiwan under Japanese rule at the time and deployed to the current location.
The music starts with the theme of Bunun drinking song. A nostalgic melody emerged and gradually led to a grandeur introduction. The music suddenly falls into a march that is similar to train drives. The trumpet call indicates the beginning of the battle, which leads the music into a chaotic and aggressive paragraph. The dramatic tension is thus built by the surreal music.
The vigorous music ended with a pray-like human voice singing, followed by an old folk tune, and then returned to the Bunun drinking song theme. The melody is interrupted by the mournful silence. At the end, the drinking song theme is once again emerging as if the echo from valley faraway.
